Listen to Marilyn Manson’s Cover of the Doors’ ‘The End’Listen to Marilyn Manson’s Cover of the Doors’ ‘The End’Singer recorded the controversial classic with Shooter Jennings producing. Dave LiftonDave Lifton
Listen to Marilyn Manson’s Chilling Cover of The Doors’ ‘The End’Listen to Marilyn Manson’s Chilling Cover of The Doors’ ‘The End’The killer awoke before dawn.Lauryn SchaffnerLauryn Schaffner
Why Jim Morrison Refused to Sing the Original ‘Touch Me’Why Jim Morrison Refused to Sing the Original ‘Touch Me’Doors frontman feared Robby Krieger’s song would lead to violent episodes in the streets.Martin KieltyMartin Kielty
‘The Doors: The Final Cut’ Blu-ray to Have ‘More Powerful’ Ending‘The Doors: The Final Cut’ Blu-ray to Have ‘More Powerful’ EndingOliver Stone’s 1991 movie arrives in ‘Final Cut’ version in July.Martin KieltyMartin Kielty
15 Hottest Rockers in Music Videos15 Hottest Rockers in Music VideosThirst trap.Lauryn SchaffnerLauryn SchaffnerRabab Al-SharifRabab Al-Sharif
The Doors’ Robby Krieger Plays His Favorite Riffs + Tells LSD Guitar StoryThe Doors’ Robby Krieger Plays His Favorite Riffs + Tells LSD Guitar StorySee who inspired the guitar great.Chad ChildersChad Childers
Guy Webster, Doors and Rolling Stones Photographer, DiesGuy Webster, Doors and Rolling Stones Photographer, DiesGuy Webster shot the covers for albums by the Doors, Rolling Stones, Simon & Garfunkel and others.Dave LiftonDave Lifton
Robby Krieger Recalls Move to Electric GuitarRobby Krieger Recalls Move to Electric GuitarHe changed from playing acoustic just weeks before joining the Doors.Martin KieltyMartin Kielty
How Jim Morrison’s New York Moment Inspired ‘People Are Strange’How Jim Morrison’s New York Moment Inspired ‘People Are Strange’Ray Manzarek had his own version of how the Doors' classic song was written.Martin KieltyMartin Kielty
Robby Krieger Recalls Doors’ Battle With ‘Waiting for the Sun’Robby Krieger Recalls Doors’ Battle With ‘Waiting for the Sun’Guitarist tells of friction over third album as success led to boredom and bad influences in 1968.Martin KieltyMartin Kielty