stephen king

IT is the biggest horror film of the year, and if you still haven’t seen Andy Muschietti’s surprisingly great adaptation of Stephen King’s classic novel (doubtful, you’re smart people), then perhaps the opening scene from the movie will persuade you…or maybe it’ll just reinforce your decision to stay the heck at home in your comfy, cozy, sewer clown-free environment. Beep beep!

The celebrated writer speculated on the difficulties of translating his work to the screen.

1922, a Netflix film based on the Stephen King novella premieres October 20th.

Before his worldwide success and vast library of creepy literary masterpieces, Stephen King was known as Steve King, and he was a writer for the Maine Campus.

The Stephen King adaptation has broken another box office record, beating ‘The Exorcist’ to become the highest-grossing horror movie ever.

It is the adrenaline rush the box office sorely needed after a summer that could accurately be described as “pretty bad” — the new take on Stephen King’s doorstop of a novel is the best horror opening ever, the highest single-day box office for an R-rated movie, the lowest-budgeted movie to gross over $100 million in its opening weekend, and now it’s the biggest opening for a September movie in history.

"You'll Float too!"

Maine's King of horror crashed the Bangor premiere of the horror hit "It" on Wednesday night, and got a standing ovation from the crowd!

Stephen King adaptations are a dime a dozen these days (almost literally; rights to his books are famously cheap), but a good Stephen King adaptation, like a properly cooked steak or a movie where Harrison Ford is actually awake, is exceedingly rare. Of the two adaptations of beloved King novels released this year, the idea that IT might be the superior of the pair seemed laughable a few months ago. IT is better than The Dark Tower in every conceivable way, but beyond the inevitable comparison, it’s just really good. Scary good, even.

One of the most challenging parts of any Stephen King adaptation is walking that fine line between childhood fears and adult terror. It is a perfect example: how do you take images meant to be frightening to 12 and 13-year-olds and adjust them for an adult audience? This is the formula that King has used to make him one of the most successful authors of all time, but stepping outside of the characters’ heads  —  and behind a movie camera  —  only ramps up the challenge of balancing tone just right. That’s why it’s been so heartening to hear It director Andy Muschietti say all the right things in pre-release interviews. For better or worse, it sounds like he really gets it.